What kind of event is it?

Five ways we work

A seated gala with stage lighting and a projected backdrop

Corporate & conference

General sessions, breakouts, awards nights and product launches — speech-clear sound, stage and ambient light, LED or projection, and a project manager from survey to load-out.

Corporate AV

Hotels & venues

The partner your banquet team can hand a room to: quiet load-ins, our own power distro and cable management, crew in blacks, and a certificate of insurance naming the property.

For properties

A ballroom gala with LED screens and a star cloth behind the stage

LED video walls

Indoor and outdoor walls sized to the room rather than to the budget — with the processing, playback, rigging and the operator that decide whether it looks right on the day.

LED walls

Concerts & touring

Line array systems, festival stages, truss and roof structures, moving light packages and backline — with a system tech who reads a rider and an advance that happens early.

For promoters

A venue being wired with truss and fixtures

Permanent installs

Restaurants, sports bars and churches — sound, lighting and video wired into the building, on a new build or a remodel, and serviced after opening night.

For owners and GCs

Recently

Three we are glad to have done

The After the Oscars marquee, lit — “After the Oscars” — stage and lighting, with DJ Cassidy

A car lit for a reveal at Universal Studios — Universal Studios — vehicle reveal, lit for camera

Eucerin activation, San Diego — lighting, audio and staging

More of the work

A CAD plot of a stage, truss and lighting positions

Before the truck rolls

You see the room before you stand in it.

Every show of any size gets drawn: stage, truss, fixture positions, sightlines and the load-in schedule that goes with them. It is how a general session gets approved by a client, how a hotel knows what is coming through the dock, and how a promoter knows the rig fits the stage.